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My 7 Year Transformation: From A Struggling Freelancer to Speaking to a Room Full of Aspiring Filmmakers


, and uniform.css sizes any
         main h1 at the page-title scale (.definitive-interior main h1), so
         one landed mid-read at 60px. The cap carries the page class to out-
         specify that rule, and covers the whole family at reading scale. */
      .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2,
      .blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; }
      .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); }
      .blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); }
      .blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); }
      /* A photo run is not a paragraph - it breaks out past the reading
         measure to ONE width token and packs like the photography archive.
         CSS columns balanced the run into three ragged stacks: a column ran
         long and dangled a photograph below the others, a wide frame overran
         the square its neighbours implied, and a hole opened where the last
         short column stopped. The rows are JUSTIFIED instead - solved at
         build time in galleryize.py, shipped as explicit flex rows.
         A cell's --a is its native aspect. flex-grow:var(--a) over a zero
         basis hands each photo in a row the width a_i x h out of the row's
         free space, so every photo in the row stands at the same height h
         and the last one lands exactly on the right edge - flush left AND
         right, nothing cropped, no measurement on the page. */
      .blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; }
      .blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); }
      .blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; }
      .blg-nb { display: none; }
      .blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); }
      .blg-gallery .blg-cell.is-in { opacity: 1; transform: none; }
      .blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; }
      .blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); }
      .blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; }
      /* the run measures itself against the article COLUMN, so the index
         rail simply narrows it - no second width rule for the railed page */
      @supports (container-type: inline-size) {
        .blg-wrap { container-type: inline-size; }
        .blg-body { --blg-wide: min(68rem, 100cqw); }
      }
      /* The phone keeps the grid - 2-up rows out of the same packer at a
         smaller row height, never one full-screen photograph per screen.
         The desktop rows dissolve (display:contents) and the build-time
         narrow breaks drive the lines instead, so one set of photographs
         serves both plans. */
      @media (max-width: 760px) {
        .blg-body { --blg-gap: 0.5rem; }
        .blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; }
        .blg-row { display: contents; }
        .blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); }
      }
      @media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } }
      /* A short line stranded between two photo runs read as a fragment
         someone forgot to delete. It is the author's own beat - so it is set
         as one: centred, given air on both sides, a step up in scale. The
         builder finds it; not a word of it is moved or rewritten. */
      .blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; }
      .blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; }
      /* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so
         the source indent after each  printed as a real leading space
         and every line after the first sat 3px right of centre. pre-line
         keeps the author's line breaks and drops the indentation; it has to
         out-rank an inline style, hence the !important, and it is scoped to
         the beat alone. No character of the copy changes. */
      .blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); }
      .blg-body .blg-beat p:last-child { margin-bottom: 0; }
      /* end blg-gallery */

  
  
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          Dec 29, 2023·2 min read
          My 7 Year Transformation: From A Struggling Freelancer to Speaking to a Room Full of Aspiring Filmmakers

It’s crazy to think that just a few years ago I left my hometown in Mason, Ohio, with nothing but my car, a trunk full of clothes, and a camera.

Broke and with over $35k in debt, I moved to Orlando in pursuit of my dream as a filmmaker.

Back in 2016, I found myself working tirelessly as a videographer and editor intern for the Orlando Magic, clocking in over 80+ hours a week for a measly $7/hr. I was barely able to keep a roof over my head…every day was filled with fear and anxiety:

Could I afford rent this month?

How do I get new clients?

Fast forward to today, and I recently had the incredible opportunity to speak in front of 40+ people at Full Sail University. The topic? How to create and scale a successful personal brand as a content creator. It's humbling, and I'm truly grateful for the chance to share my story:

My journey from living in my car to making over $100K+ a year as a filmmaker.

The key to my success? Learning to automate my business, build/leverage a personal brand, and embrace discipline. I stopped investing time in things that didn’t serve me (partying). I started investing in my personal and business development. I hired a business coaches. I stopped moving with fear and started moving with confidence.

Here's a few lessons I’ll never forget that I would like to pass along to you:

  • Motivation may get you going, but discipline keeps you growing (discipline is the path to freedom)

  • No growth happens inside your comfort zone so go take risks (overwhelm = growth)

  • Work smarter NOT harder (learn how prioritize, delegate, and automate tasks as well as the biz)

  • Take action (procrastination and indecision is killing your growth, don’t be afraid to make mistakes)

Now, I'm on a mission to help five filmmakers experience a similar transformation in the next 90 days. Are you going to continue to sit on the sidelines?

If you’re ready to go full-time working with your dream clients, DM me "I'M READY." and I’ll reach out.

http://www.kyleloftusstudios.com