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5 Must Have Pieces of Filmmaking Gear Starting Out Video


, and uniform.css sizes any
         main h1 at the page-title scale (.definitive-interior main h1), so
         one landed mid-read at 60px. The cap carries the page class to out-
         specify that rule, and covers the whole family at reading scale. */
      .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2,
      .blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; }
      .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); }
      .blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); }
      .blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); }
      /* A photo run is not a paragraph - it breaks out past the reading
         measure to ONE width token and packs like the photography archive.
         CSS columns balanced the run into three ragged stacks: a column ran
         long and dangled a photograph below the others, a wide frame overran
         the square its neighbours implied, and a hole opened where the last
         short column stopped. The rows are JUSTIFIED instead - solved at
         build time in galleryize.py, shipped as explicit flex rows.
         A cell's --a is its native aspect. flex-grow:var(--a) over a zero
         basis hands each photo in a row the width a_i x h out of the row's
         free space, so every photo in the row stands at the same height h
         and the last one lands exactly on the right edge - flush left AND
         right, nothing cropped, no measurement on the page. */
      .blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; }
      .blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); }
      .blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; }
      .blg-nb { display: none; }
      .blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); }
      .blg-gallery .blg-cell.is-in { opacity: 1; transform: none; }
      .blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; }
      .blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); }
      .blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; }
      /* the run measures itself against the article COLUMN, so the index
         rail simply narrows it - no second width rule for the railed page */
      @supports (container-type: inline-size) {
        .blg-wrap { container-type: inline-size; }
        .blg-body { --blg-wide: min(68rem, 100cqw); }
      }
      /* The phone keeps the grid - 2-up rows out of the same packer at a
         smaller row height, never one full-screen photograph per screen.
         The desktop rows dissolve (display:contents) and the build-time
         narrow breaks drive the lines instead, so one set of photographs
         serves both plans. */
      @media (max-width: 760px) {
        .blg-body { --blg-gap: 0.5rem; }
        .blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; }
        .blg-row { display: contents; }
        .blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); }
      }
      @media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } }
      /* A short line stranded between two photo runs read as a fragment
         someone forgot to delete. It is the author's own beat - so it is set
         as one: centred, given air on both sides, a step up in scale. The
         builder finds it; not a word of it is moved or rewritten. */
      .blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; }
      .blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; }
      /* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so
         the source indent after each  printed as a real leading space
         and every line after the first sat 3px right of centre. pre-line
         keeps the author's line breaks and drops the indentation; it has to
         out-rank an inline style, hence the !important, and it is scoped to
         the beat alone. No character of the copy changes. */
      .blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); }
      .blg-body .blg-beat p:last-child { margin-bottom: 0; }
      /* end blg-gallery */

  
  
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          May 23, 2018·2 min read
          5 Must Have Pieces of Filmmaking Gear Starting Out Video

In this quick tip and tutorial video Kal Visuals covers the 5 most important pieces of filmmaking gear you need today as a filmmaker whether your a beginner, novice, or professional. As a filmmaker it’s vital that you have all the right gear when your on set but choosing which gear you need over another can be a strenuous task. Furthermore, filmmaking and videography gear is extremely costly and expensive so it’s important that you start off only getting what you NEED as a filmmaker and/pr video production company. There’s lot so important gear that goes into a power-house video production set like lights, reflectors, gels, monitors for the director/staff etc. but in this video Kal Visuals breaks down the entirety of a filmmaking set and reveals the 5 key pieces of filmmaking gear you must have to be successful out the gate. In this video Kal Visuals goes further to discuss the Importance of keeping your gear load small in the beginning so you can focus on growing as a director, camera operator, DP, cinematographer, editor etc. 

http://www.kyleloftusstudios.com