Mother Earth Ep. 1 Washington & Oregon

, and uniform.css sizes any
main h1 at the page-title scale (.definitive-interior main h1), so
one landed mid-read at 60px. The cap carries the page class to out-
specify that rule, and covers the whole family at reading scale. */
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2,
.blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; }
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); }
.blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); }
.blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); }
/* A photo run is not a paragraph - it breaks out past the reading
measure to ONE width token and packs like the photography archive.
CSS columns balanced the run into three ragged stacks: a column ran
long and dangled a photograph below the others, a wide frame overran
the square its neighbours implied, and a hole opened where the last
short column stopped. The rows are JUSTIFIED instead - solved at
build time in galleryize.py, shipped as explicit flex rows.
A cell's --a is its native aspect. flex-grow:var(--a) over a zero
basis hands each photo in a row the width a_i x h out of the row's
free space, so every photo in the row stands at the same height h
and the last one lands exactly on the right edge - flush left AND
right, nothing cropped, no measurement on the page. */
.blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; }
.blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); }
.blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; }
.blg-nb { display: none; }
.blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); }
.blg-gallery .blg-cell.is-in { opacity: 1; transform: none; }
.blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; }
.blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); }
.blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; }
/* the run measures itself against the article COLUMN, so the index
rail simply narrows it - no second width rule for the railed page */
@supports (container-type: inline-size) {
.blg-wrap { container-type: inline-size; }
.blg-body { --blg-wide: min(68rem, 100cqw); }
}
/* The phone keeps the grid - 2-up rows out of the same packer at a
smaller row height, never one full-screen photograph per screen.
The desktop rows dissolve (display:contents) and the build-time
narrow breaks drive the lines instead, so one set of photographs
serves both plans. */
@media (max-width: 760px) {
.blg-body { --blg-gap: 0.5rem; }
.blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; }
.blg-row { display: contents; }
.blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); }
}
@media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } }
/* A short line stranded between two photo runs read as a fragment
someone forgot to delete. It is the author's own beat - so it is set
as one: centred, given air on both sides, a step up in scale. The
builder finds it; not a word of it is moved or rewritten. */
.blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; }
.blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; }
/* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so
the source indent after each printed as a real leading space
and every line after the first sat 3px right of centre. pre-line
keeps the author's line breaks and drops the indentation; it has to
out-rank an inline style, hence the !important, and it is scoped to
the beat alone. No character of the copy changes. */
.blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); }
.blg-body .blg-beat p:last-child { margin-bottom: 0; }
/* end blg-gallery */

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Aug 10, 2018·2 min read
Mother Earth Ep. 1 Washington & Oregon

Mother Earth Ep. 1 Washington & Oregon is a short film created from a two week long road trip through Washington and Oregon traveling all along the middle as well as the coast of both the states. The trip covered Olympic National Park, Mt. Rainier National Park, Mt. Hood National Forest, Crater Lake National Park and much much more. Moreover, Mother Earth Ep. 1 Washington & Oregon is a short film created by owner and visionary for Kal Visuals, Kyle Loftus who was inspired to make this film from his passion for the great outdoors, adventure, Planet Earth the show and National Geographic. Mother Earth Ep. 1 Washington & Oregon is a must see short film for any filmmakers as it does an incredible job of transitioning from scene to scene seamlessly by matching color, motion, tone etc. Not only this, the sound design in Mother Earth Ep. 1 Washington & Oregon is nothing short of incredible and really brings the beautiful colors to life. This is the first episode of a new series Kal Visuals will be running in which celebrates the beauty of our planet and Mother Earth as well as to help promote sustainability and encourage others to protect our planet. Don’t miss out on the inspiring and moving film, Mother Earth Ep. 1 Washington & Oregon.

http://www.kyleloftusstudios.com