Low Light Cinematography with a Pocket Lite

, and uniform.css sizes any
main h1 at the page-title scale (.definitive-interior main h1), so
one landed mid-read at 60px. The cap carries the page class to out-
specify that rule, and covers the whole family at reading scale. */
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2,
.blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; }
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); }
.blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); }
.blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); }
/* A photo run is not a paragraph - it breaks out past the reading
measure to ONE width token and packs like the photography archive.
CSS columns balanced the run into three ragged stacks: a column ran
long and dangled a photograph below the others, a wide frame overran
the square its neighbours implied, and a hole opened where the last
short column stopped. The rows are JUSTIFIED instead - solved at
build time in galleryize.py, shipped as explicit flex rows.
A cell's --a is its native aspect. flex-grow:var(--a) over a zero
basis hands each photo in a row the width a_i x h out of the row's
free space, so every photo in the row stands at the same height h
and the last one lands exactly on the right edge - flush left AND
right, nothing cropped, no measurement on the page. */
.blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; }
.blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); }
.blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; }
.blg-nb { display: none; }
.blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); }
.blg-gallery .blg-cell.is-in { opacity: 1; transform: none; }
.blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; }
.blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); }
.blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; }
/* the run measures itself against the article COLUMN, so the index
rail simply narrows it - no second width rule for the railed page */
@supports (container-type: inline-size) {
.blg-wrap { container-type: inline-size; }
.blg-body { --blg-wide: min(68rem, 100cqw); }
}
/* The phone keeps the grid - 2-up rows out of the same packer at a
smaller row height, never one full-screen photograph per screen.
The desktop rows dissolve (display:contents) and the build-time
narrow breaks drive the lines instead, so one set of photographs
serves both plans. */
@media (max-width: 760px) {
.blg-body { --blg-gap: 0.5rem; }
.blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; }
.blg-row { display: contents; }
.blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); }
}
@media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } }
/* A short line stranded between two photo runs read as a fragment
someone forgot to delete. It is the author's own beat - so it is set
as one: centred, given air on both sides, a step up in scale. The
builder finds it; not a word of it is moved or rewritten. */
.blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; }
.blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; }
/* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so
the source indent after each printed as a real leading space
and every line after the first sat 3px right of centre. pre-line
keeps the author's line breaks and drops the indentation; it has to
out-rank an inline style, hence the !important, and it is scoped to
the beat alone. No character of the copy changes. */
.blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); }
.blg-body .blg-beat p:last-child { margin-bottom: 0; }
/* end blg-gallery */

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Oct 25, 2019·2 min read
Low Light Cinematography with a Pocket Lite

In this video, Low light cinematography with a Pocket Lite Director Kyle Loftus opens up with a short 2 minute independent film shoot on the Canon 5D Mark IV using two Falcon Eyes F7 Pocket Lites. After showcasing a fun and unique intro Kyle breaks into a honest and detailed review of the Falcon Eyes F7 Pocket Lite and what he thinks are the big advantages and disadvantages of the light and kit. Moreover, Director Kyle Loftus builds off of this by discussing the power of low light cinematography and how it can be done by almost anyone with these incredible pocket lites at your disposal. Not only does Kyle share the benefits of the falcon eyes f7 but he also shares real world examples of how he put the light to the test and used it to create a powerful and moving film. Director Kyle Loftus does a great job at breaking down his cinematography style and lighting setups but also empowers you to create incredible films by showing that you don’t have to have the best gear in the world to make a powerful film. Don’t miss out on Low light cinematography with a Pocket Lite: Falcon Eyes F7 Review.

http://www.kyleloftusstudios.com