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How to get your first wedding client: my story of going from zero weddings to over 20 a year

, and uniform.css sizes any main h1 at the page-title scale (.definitive-interior main h1), so one landed mid-read at 60px. The cap carries the page class to out- specify that rule, and covers the whole family at reading scale. */ .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2, .blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; } .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); } .blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); } .blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); } /* A photo run is not a paragraph - it breaks out past the reading measure to ONE width token and packs like the photography archive. CSS columns balanced the run into three ragged stacks: a column ran long and dangled a photograph below the others, a wide frame overran the square its neighbours implied, and a hole opened where the last short column stopped. The rows are JUSTIFIED instead - solved at build time in galleryize.py, shipped as explicit flex rows. A cell's --a is its native aspect. flex-grow:var(--a) over a zero basis hands each photo in a row the width a_i x h out of the row's free space, so every photo in the row stands at the same height h and the last one lands exactly on the right edge - flush left AND right, nothing cropped, no measurement on the page. */ .blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; } .blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); } .blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; } .blg-nb { display: none; } .blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); } .blg-gallery .blg-cell.is-in { opacity: 1; transform: none; } .blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; } .blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); } .blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; } /* the run measures itself against the article COLUMN, so the index rail simply narrows it - no second width rule for the railed page */ @supports (container-type: inline-size) { .blg-wrap { container-type: inline-size; } .blg-body { --blg-wide: min(68rem, 100cqw); } } /* The phone keeps the grid - 2-up rows out of the same packer at a smaller row height, never one full-screen photograph per screen. The desktop rows dissolve (display:contents) and the build-time narrow breaks drive the lines instead, so one set of photographs serves both plans. */ @media (max-width: 760px) { .blg-body { --blg-gap: 0.5rem; } .blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; } .blg-row { display: contents; } .blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); } } @media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } } /* A short line stranded between two photo runs read as a fragment someone forgot to delete. It is the author's own beat - so it is set as one: centred, given air on both sides, a step up in scale. The builder finds it; not a word of it is moved or rewritten. */ .blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; } .blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; } /* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so the source indent after each printed as a real leading space and every line after the first sat 3px right of centre. pre-line keeps the author's line breaks and drops the indentation; it has to out-rank an inline style, hence the !important, and it is scoped to the beat alone. No character of the copy changes. */ .blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); } .blg-body .blg-beat p:last-child { margin-bottom: 0; } /* end blg-gallery */ Skip to content ← All Posts Jul 19, 2019·2 min read How to get your first wedding client: my story of going from zero weddings to over 20 a year

How to get your first wedding client, my story of going from zero weddings to over 20 a year is a detailed look into how KAL VISUALS and more specifically filmmaker Kyle Loftus went from 0 to over 20 weddings in a matter of one year. This is an incredible tutorial that looks into getting started as a wedding filmmaker, what steps you need to take, how to start acquiring content and leads and so much more. How to get your first wedding client, my story of going from zero weddings to over 20 a year is a must watch tutorial and how to video for any and all wedding filmmakers or videographers or anyone just contemplating the idea of getting into weddings. This video does a great job of explaining what it truly takes to make it in the wedding industry and how to get noticed fast. Director Kyle Loftus pulls directly from his experience starting out as a wedding filmmaker all the way up to where he is today with shooting weddings. How to get your first wedding client, my story of going from zero weddings to over 20 a year is an incredibly fun and insightful tutorial you don’t want to miss.

http://www.kyleloftusstudios.com