Dillon & Mary Leisure Married

, and uniform.css sizes any
main h1 at the page-title scale (.definitive-interior main h1), so
one landed mid-read at 60px. The cap carries the page class to out-
specify that rule, and covers the whole family at reading scale. */
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2,
.blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; }
.blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); }
.blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); }
.blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); }
/* A photo run is not a paragraph - it breaks out past the reading
measure to ONE width token and packs like the photography archive.
CSS columns balanced the run into three ragged stacks: a column ran
long and dangled a photograph below the others, a wide frame overran
the square its neighbours implied, and a hole opened where the last
short column stopped. The rows are JUSTIFIED instead - solved at
build time in galleryize.py, shipped as explicit flex rows.
A cell's --a is its native aspect. flex-grow:var(--a) over a zero
basis hands each photo in a row the width a_i x h out of the row's
free space, so every photo in the row stands at the same height h
and the last one lands exactly on the right edge - flush left AND
right, nothing cropped, no measurement on the page. */
.blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; }
.blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); }
.blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; }
.blg-nb { display: none; }
.blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); }
.blg-gallery .blg-cell.is-in { opacity: 1; transform: none; }
.blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; }
.blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); }
.blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; }
/* the run measures itself against the article COLUMN, so the index
rail simply narrows it - no second width rule for the railed page */
@supports (container-type: inline-size) {
.blg-wrap { container-type: inline-size; }
.blg-body { --blg-wide: min(68rem, 100cqw); }
}
/* The phone keeps the grid - 2-up rows out of the same packer at a
smaller row height, never one full-screen photograph per screen.
The desktop rows dissolve (display:contents) and the build-time
narrow breaks drive the lines instead, so one set of photographs
serves both plans. */
@media (max-width: 760px) {
.blg-body { --blg-gap: 0.5rem; }
.blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; }
.blg-row { display: contents; }
.blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); }
}
@media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } }
/* A short line stranded between two photo runs read as a fragment
someone forgot to delete. It is the author's own beat - so it is set
as one: centred, given air on both sides, a step up in scale. The
builder finds it; not a word of it is moved or rewritten. */
.blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; }
.blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; }
/* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so
the source indent after each printed as a real leading space
and every line after the first sat 3px right of centre. pre-line
keeps the author's line breaks and drops the indentation; it has to
out-rank an inline style, hence the !important, and it is scoped to
the beat alone. No character of the copy changes. */
.blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); }
.blg-body .blg-beat p:last-child { margin-bottom: 0; }
/* end blg-gallery */

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Aug 16, 2017·3 min read
Dillon & Mary Leisure Married

Choose US!

We absolutely love capturing and spreading the love with you through wedding videography. If your in need of a videographer or know someone who is, contact us at Kal Visuals for top of the line quality and care!

Dillon & Mary Leisures Wedding 2017:

This video is a recap of the union between Dillon Leisure and Mary Asher into Dillon and Mary Leisure. The film captures the entire wedding day process. The story starts in the early afternoon when Mary and the girls are laying out their dresses, doing their hair and make-up etc. It then follows the husband, Dillon Leisure and his groomsmen as they put on their suits and string their ties in preparation for the wedding day. After that it follows both groups as they arrive for the wedding ceremony and begin taking pictures. The story follows Dillon & Mary Leisures Wedding 2017 as they go from the wedding ceremony to the reception. From there Dillon & Mary Leisures Wedding 2017 was celebrated by Dillon, Mary, and all there guest by dancing the night away. This entire film was shot on a Sony Alpha 7 Mark II with a 24-240mm native lens, rode shotgun microphone as well as a HD-4000 glidecam. Want to shoot like a pro? You can find all the gear I used to shoot this wedding on amazon by using the links below.

If your interested in my for camera operation, editing, coloring, direction, everything, just shoot me an email at info@kalvisuals.com.

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http://www.kyleloftusstudios.com