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4 Tips to Shooting Better Slow Motion Footage Video

, and uniform.css sizes any main h1 at the page-title scale (.definitive-interior main h1), so one landed mid-read at 60px. The cap carries the page class to out- specify that rule, and covers the whole family at reading scale. */ .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2, .blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; } .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); } .blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); } .blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); } /* A photo run is not a paragraph - it breaks out past the reading measure to ONE width token and packs like the photography archive. CSS columns balanced the run into three ragged stacks: a column ran long and dangled a photograph below the others, a wide frame overran the square its neighbours implied, and a hole opened where the last short column stopped. The rows are JUSTIFIED instead - solved at build time in galleryize.py, shipped as explicit flex rows. A cell's --a is its native aspect. flex-grow:var(--a) over a zero basis hands each photo in a row the width a_i x h out of the row's free space, so every photo in the row stands at the same height h and the last one lands exactly on the right edge - flush left AND right, nothing cropped, no measurement on the page. */ .blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; } .blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); } .blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; } .blg-nb { display: none; } .blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); } .blg-gallery .blg-cell.is-in { opacity: 1; transform: none; } .blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; } .blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); } .blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; } /* the run measures itself against the article COLUMN, so the index rail simply narrows it - no second width rule for the railed page */ @supports (container-type: inline-size) { .blg-wrap { container-type: inline-size; } .blg-body { --blg-wide: min(68rem, 100cqw); } } /* The phone keeps the grid - 2-up rows out of the same packer at a smaller row height, never one full-screen photograph per screen. The desktop rows dissolve (display:contents) and the build-time narrow breaks drive the lines instead, so one set of photographs serves both plans. */ @media (max-width: 760px) { .blg-body { --blg-gap: 0.5rem; } .blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; } .blg-row { display: contents; } .blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); } } @media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } } /* A short line stranded between two photo runs read as a fragment someone forgot to delete. It is the author's own beat - so it is set as one: centred, given air on both sides, a step up in scale. The builder finds it; not a word of it is moved or rewritten. */ .blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; } .blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; } /* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so the source indent after each printed as a real leading space and every line after the first sat 3px right of centre. pre-line keeps the author's line breaks and drops the indentation; it has to out-rank an inline style, hence the !important, and it is scoped to the beat alone. No character of the copy changes. */ .blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); } .blg-body .blg-beat p:last-child { margin-bottom: 0; } /* end blg-gallery */ Skip to content ← All Posts Jan 9, 2019·1 min read 4 Tips to Shooting Better Slow Motion Footage Video
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