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Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes

, and uniform.css sizes any main h1 at the page-title scale (.definitive-interior main h1), so one landed mid-read at 60px. The cap carries the page class to out- specify that rule, and covers the whole family at reading scale. */ .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2, .blog-page .blg-wrap .blg-body h3, .blog-page .blg-wrap .blg-body h4 { margin: 2rem 0 0.75rem; font-family: "Playfair Display", Georgia, serif; font-weight: 400; line-height: 1.3; color: rgb(244 241 235 / 0.95); text-transform: none; letter-spacing: normal; max-width: none; } .blog-page .blg-wrap .blg-body h1, .blog-page .blg-wrap .blg-body h2 { font-size: clamp(1.15rem, 1rem + 0.8vw, 1.45rem); } .blog-page .blg-wrap .blg-body h3 { font-size: clamp(1.05rem, 0.95rem + 0.55vw, 1.3rem); } .blog-page .blg-wrap .blg-body h4 { font-size: clamp(1rem, 0.95rem + 0.3vw, 1.12rem); } /* A photo run is not a paragraph - it breaks out past the reading measure to ONE width token and packs like the photography archive. CSS columns balanced the run into three ragged stacks: a column ran long and dangled a photograph below the others, a wide frame overran the square its neighbours implied, and a hole opened where the last short column stopped. The rows are JUSTIFIED instead - solved at build time in galleryize.py, shipped as explicit flex rows. A cell's --a is its native aspect. flex-grow:var(--a) over a zero basis hands each photo in a row the width a_i x h out of the row's free space, so every photo in the row stands at the same height h and the last one lands exactly on the right edge - flush left AND right, nothing cropped, no measurement on the page. */ .blg-body { --blg-wide: min(68rem, 92vw); --blg-gap: 0.62rem; } .blg-gallery { width: var(--blg-wide); margin: 2rem 0 2.2rem; margin-inline: calc(50% - var(--blg-wide) / 2); display: flex; flex-direction: column; gap: var(--blg-gap); } .blg-row { display: flex; column-gap: var(--blg-gap); width: var(--rw, 100%); margin-inline: auto; } .blg-nb { display: none; } .blg-gallery .blg-cell { flex-grow: var(--a, 1); flex-shrink: 1; flex-basis: 0; min-width: 0; aspect-ratio: var(--a, 1.5); margin: 0; padding: 0; overflow: hidden; border-radius: 0.3rem; background: #0b0d12; cursor: pointer; opacity: 0; transform: translateY(18px); transition: opacity 620ms cubic-bezier(0.22, 0.61, 0.21, 1), transform 740ms cubic-bezier(0.22, 0.61, 0.21, 1); } .blg-gallery .blg-cell.is-in { opacity: 1; transform: none; } .blg-gallery .blg-cell img { display: block; width: 100%; height: 100%; object-fit: cover; margin: 0; border-radius: 0; opacity: 0.86; transition: transform 760ms cubic-bezier(0.22, 0.61, 0.21, 1), opacity 420ms ease; } .blg-gallery .blg-cell:hover img, .blg-gallery .blg-cell:focus-visible img { opacity: 1; transform: scale(1.02); } .blg-gallery .blg-cell:focus-visible { outline: 1px solid var(--kls-accent, #fb5607); outline-offset: 2px; } /* the run measures itself against the article COLUMN, so the index rail simply narrows it - no second width rule for the railed page */ @supports (container-type: inline-size) { .blg-wrap { container-type: inline-size; } .blg-body { --blg-wide: min(68rem, 100cqw); } } /* The phone keeps the grid - 2-up rows out of the same packer at a smaller row height, never one full-screen photograph per screen. The desktop rows dissolve (display:contents) and the build-time narrow breaks drive the lines instead, so one set of photographs serves both plans. */ @media (max-width: 760px) { .blg-body { --blg-gap: 0.5rem; } .blg-gallery { flex-direction: row; flex-wrap: wrap; column-gap: var(--blg-gap); row-gap: 0; margin-bottom: 1.8rem; } .blg-row { display: contents; } .blg-nb { display: block; flex: 0 0 100%; height: var(--blg-gap); } } @media (prefers-reduced-motion: reduce) { .blg-gallery .blg-cell { opacity: 1; transform: none; transition: none; } } /* A short line stranded between two photo runs read as a fragment someone forgot to delete. It is the author's own beat - so it is set as one: centred, given air on both sides, a step up in scale. The builder finds it; not a word of it is moved or rewritten. */ .blg-body .blg-beat { margin: clamp(2.4rem, 5.5vh, 3.6rem) auto; max-width: 34rem; text-align: center; } .blg-body .blg-beat p, .blg-body .blg-beat div { margin-left: auto; margin-right: auto; } /* Squarespace put white-space:pre-wrap INLINE on these paragraphs, so the source indent after each printed as a real leading space and every line after the first sat 3px right of centre. pre-line keeps the author's line breaks and drops the indentation; it has to out-rank an inline style, hence the !important, and it is scoped to the beat alone. No character of the copy changes. */ .blg-body .blg-beat p { margin-top: 0; margin-bottom: 0.4rem; white-space: pre-line !important; font-family: "Playfair Display", Georgia, serif; font-size: clamp(1.2rem, 1rem + 1vw, 1.65rem); line-height: 1.4; color: rgb(244 241 235 / 0.94); } .blg-body .blg-beat p:last-child { margin-bottom: 0; } /* end blg-gallery */ Skip to content ← All Posts Apr 26, 2019·3 min read Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes

Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes is a must watch video for beginning freelancers, editors, filmmakers and content creators alike. If you plan on using Premiere Pro in your career, then you’re going to want to watch this video or you’ll hate yourself in the very near future. Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes is exactly how it reads, a video on two filmmaking hacks you can use to speed ramp your editing work flow and drastically increase your turnover rate for video edits which is huge for being a successful freelancer, content creator and entrepreneur. Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes is one of Kal Visuals favorite to be releases and sharing as it has been a huge help and a big part of Kal Visuals success in editing products and getting the deliverables to clients fast and effectively. Please don’t scroll past this amazing and concise tutorial on how to edit faster, better and stronger using master files and adjustment layers in premiere pro. Filmmaking Hacks: How to Color Grade Your Film in 5 Minutes is an incredible helpful tutorial you don’t want to miss and probably want to watch twice.

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